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Make a purchase of $75 or more to be automatically entered in our $260 Stephen Huneck Dog Toy Chest Holiday GIVEAWAY. Learn more by clicking here
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Price: $30
(tax-deductible
donation)
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There could be no finer gift than this lovely, author
signed, lovely book.
Written by Art Vanderbilt, one of our Foundation's Advisory
Board Members, Golden Days: Memories of a Golden Retriever,
tells a beautiful tale of the affection between people and
their very special dogs. As Art writes, "She had taken us
places we never would have gone and shown us things we never
would have seen without her."
We are forever after Art about
bringing a Golden into his home, but fear that his still sharply focused memories of Amy
keep getting in the way. Yet, we can empathize with him about this dilemma,
our sharing in
the pain that he experienced when Amy transitioned to The Bridge, as lymphoma (which
our
Ollie battled) proved to be her downfall as well.
Amy had golden eyelashes, a
real fondness for Vermont cheddar, and a worn-out slipper she never tired of bringing to
those she felt surely needed it. From puppyhood, she considered herself in charge of the
Vanderbilt familymaking her round of bed checks each night,
greeting long-absent members of her human pack with unrestrained affection, herding the
family back to shore when they went for a swim in the ocean, and bartering brand-new shoes
for one well-chewed rubber frog. And, being the ultimate drama queen, she would lapse into
a sulk worthy of the very best Hollywood leading ladies, whenever she was left out of her
family's activities. Please do enjoy the book excerpt below, courtesy of Art. |
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Golden Days Book Excerpt
The first summer, when she was just a pup, when she had
first checked on me in the night, I assumed she had to
go outside.
“Amy want to go out?” She looked at me, quizzically.
What the heck is his problem?
“Amy? Okay, Amy go out?” Well, okay, if he has to, but
this is really weird. It’s Pitch black and scary out
there and morning has got to be a long way off and I’ve
got to make my rounds and get back to bed.
We’d creep through the house with a flashlight, out the
side door, crossing the patio and the wet grass to the
top of the bluff.
The Bay was making its liquid sounds. Far off, we could
hear the surf breaking up and down the outer-beach and
sometimes the hollow crash of an immense breaker.
Starlight that had started toward us a million years
before reached us at last that night. Looking out from
the bluff at the Milky Way extending horizon to horizon,
filling the vast night sky, it felt as if we were alone
together in interplanetary space, as if the earth were
moving in space and time, an island adrift in a sea of
stars, and that if we didn’t hold on, we would fall off.
“Here. Amy go here,” I’d say, pointing the flash,
light’s beam on a nice spot in the poverty grass on the
crest of the bluff.
What the ...?
“Okay, here. Amy: Amy go here.” No dice. She stares at
me.
“Okay, but I’m telling you, this is your last chance,
okay? I’m not coming out here again, okay? You
understand that, right? This is it.”
No.
“No?”
No.
“Okay. Last chance. Here, okay?” I say, flashing the
light around the grass. “Amy go here.”
No.
“No?”
No.
By then, we had both scared ourselves with thoughts of
what might be lurking at that time of night out in the
dark behind the bayberry thickets: coyotes? bears? drug
runners? kidnappers? I scooped Amy up onto my shoulder
and hurried back to the house, locking the door behind
us.
We both go back to bed. Several hours later I again feel
the presence, the swish of a tail, the eager eyes.
“See, Amy? I told you. You have to go out. And this
time, you’re going to do something, okay?”
And out we’d go and back we’d come, no farther ahead.
After several nights of this, a glimmer of slowwitted
human comprehension: Amy didn’t want to go outside. In
fact, she has extraordinary bladder control. Rather, she
was making her nightly bed checks.
Several times a night, from bedroom to bedroom she goes
on her rounds to make sure everyone is all right. As
long as we say hello or give her a pat, off she goes,
satisfied that all is well. But if we’re sleeping
soundly, out like a log, she’ll make her soft whining
noises or bat her tail against the bed or rest her head
on the mattress, staring at us until we awaken. If,
perchance, a bedroom door is closed and her little
noises fail to draw a response, she’ll stand next to the
door and wag her tail so that on each sweep it slams
against the door. And if we’re really out cold and that
too fails to do the trick, she’ll lie down outside the
door, stretched right against it; and just like Atticus
Finch watching over Jem at the end of To Kill a
Mockingbird, she’ll be there all night, and she’ll be
there when we open our doors in the morning, thumping
her tail and making her morning sounds of greeting.
Up from her bed in my parents’ bedroom, out into the
hall, through the dark living room and kitchen she makes
her way each night for her nightly head counts, down the
back hall to my sister’s bedroom. A quick check. Into my
room. All is well. Everyone is in. All present and
accounted for. Everything is as it should be. And so,
back to her bed and to sleep.
Like a card counter in a casino, she always, constantly,
in the back of her mind is counting who is there and who
is missing; and if the numbers don’t add up to four, she
senses that something is wrong and worries. She’s like
Nana, the nursery watchdog in Peter Pan who tended the
Darling children, Wendy, John, and Michael. Watching
over us is pretty much a fulltime job for Amy, what with
the vigils at the front door, the bed checks, the
worrying.
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